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	<title>Barbara Marcel</title>
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	<pubDate>Mon, 23 Dec 2024 03:49:21 +0000</pubDate>
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		<pubDate>Mon, 26 Jul 2021 11:04:06 +0000</pubDate>

		<dc:creator>Barbara Marcel</dc:creator>

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		<title>ABOUT</title>
				
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		<pubDate>Mon, 26 Jul 2021 11:04:06 +0000</pubDate>

		<dc:creator>Barbara Marcel</dc:creator>

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		<description>ABOUT


Barbara Marcel(she/her)
b. 1985, Rio de Janeiro, Brazil.Lives and works in Berlin and Rio de Janeiro.
EDUCATION

2022-2023		Berlin Artistic Research Grant Programme.
2015-2022		Ph.D. candidate in Visual Arts, Artistic Research (Prof. Dr. Phil Michael Lüthy, Prof. Livia Flores UFRJ-EBA), BAUHAUS-Universität Weimar.
2014-2016 Guest Student at Hito Steyerl's class,&#38;nbsp;Universität der Künste Berlin UDK.
 2011-2014		MA Art in Context, Universität der Künste Berlin UDK.
2005-2007 BA Philosophy, Universidade Federal do Rio de Janeiro UFRJ.
2004-2006 BA Film Studies, Universidade Estácio de Sá, Rio de Janeiro.
2000-2004		Technical Gymnasium in Public Health, EPSJV, FIOCRUZ.EXHIBITIONS AND SCREENINGS

2024	18TH CINEBH INTERNATIONAL FILM FESTIVAL. World Premiere of Barbara Marcel’s feature-length film SURARAS, selected for the Territory competitive section. Belo Horizonte, Brazil.

2024 CINEMATECA BRASILEIRA. Double screening of Glauber Rocha’s film DER LEONE HAVE SEPT CABEÇAS and Barbara Marcel’s medium-length film MARLENE, followed by a conversation between Marcel, Mariana Queen Nwabsili and Mateus Araújo, at the Brazilian Cinematheque. São Paulo, Brazil.

2024 VERMELHO GALLERY. Screening of the film HUMO SOBRE LOS HUMEDALES by Barbara Marcel, followed by a conversation between the film director and Ligia Nobre. São Paulo, Brazil.

2024 LARISA CRUNȚEANU &#38;amp; SONJA HORNUNG: TO SLIP, TO SLIDE, TO GLITCH. Exhibition at alpha nova &#38;amp; galerie futura. Screening of two chapters of the series GOLDEN TONE, by Barbara Marcel followed by an online conversation with the director. Berlin, Germany.

2024 COMMON IMAGINARIES. 4th Research Seminar on Art and City_DESILHA 2024, Federal University of Rio de Janeiro. Screening of the films HUMO SOBRE LOS HUMEDALES and MARLENE by Barbara Marcel followed by a conversation between the film director and Mariana Queen Nwabasili at Cinemateca do MAM, Rio de Janeiro, Brazil.
2024 KLIMA BIENNALE: WILDERNESS ALLIANCES. Exhibition &#38;amp; Laboratory for Artistic and Performative Research in Interaction with Plants. Curated by Stephanie Winter. Screening of Barbara Marcel’s film THE OPEN FOREST. Vienna, Austria.



2023	MOTORES DEL CLIMA. Poetics, politics and technologies of the environment. Collective exhibition curated by Daphne Dragona and Jussi Parikka at LABoral - Centro de Arte y Creación Industrial in Gijon, Spain.

2023 SINEMA TRANSTOPIA. Knowledge Ties #4: HUMO SOBRE LOS HUMEDALES. Lecture by Deborah Shaw and film by Barbara Marcel followed by a conversation moderated by Paz Guevara. Berlin, Germany.

2023 MY PRECIOUS, Werkleitz Festival. Group exhibition in June 2023. Hettstedt, Germany.

2023 THE CHANGE IN PATTERNS. Group show at wildpalms, curated by Alexandra Meffert and Jorge Sanguino. Düsseldorf, Germany.

2023 CINÉ-RENCONTRE "L'autre, ici même". Screening of Barbara Marcel’s medium-length MARLENE (2022) at Université Paris Cité. Debate with Raquel Schefer (Paris 3), and mediation by Prof. Tatian Monassa. Paris, France.

2022 	A PARÁBOLA DO PROGRESSO. Group exhibition at SESC Pompeia. Curatorial coordination by Lisete Lagnado and assistant curatorship by André Pitol and Yudi Rafael. From October 2022 to April 2023. São Paulo, Brazil.

2022 AL CONJURO DE ESTE CÓDIGO - Tecnofeminismos para reescribir el mundo. Collective exhibition curated by&#38;nbsp;Alma Laprida, Ana Mora, Jenny Maritza Ramírez Osorio, Maia Navas and Tania Puente,&#38;nbsp;at CASo - Centro de Arte Sonoro in Buenos Aires, Argentina.

2022 WEATHER ENGINES. Collective exhibition curated by Daphne Dragona &#38;amp; Jussi Parikka&#38;nbsp;at Onassis Stegi, Athens, Greece.

2022 VISIONS DU RÉEL FILM FESTIVAL. World premiere of Barbara Marcel’s medium-length film MARLENE in the competitive section. Nyon, Switzerland.

2022 MORE PLANETS LESS PAIN - Constellations of artistic research.&#38;nbsp;Collective exhibition at&#38;nbsp;Kunsthalle Erfurt and&#38;nbsp;ACC Weimar, curated by&#38;nbsp;Anne Brannys. Erfurt and Weimar, Germany.
2022 
GALERIA DO BANCO ECONÓMICO. Screening of Barbara Marcel’s film THE OPEN FOREST followed by a debate. Luanda, Angola.



2021	UMBRALES. Collective exhibition at ifa-Galerie Stuttgart in collaboration with BIENAL DE ARTE MEDIALES in Santiago de Chile, curated by Bettina Korintenberg and Enrique Rivera. Stuttgart, Germany.

2021 solo BARBARA MARCEL, CINÉ-CIPÓ – CINE-LIANA. Solo exhibition curated by Agustina Andreoletti at Gemeinde, Cologne, Germany.

2021 FLUIDE REALITÄTEN. Collective exhibition curated by Dorothee Bienert, Yolanda Kaddu-Mulindwa, Daniela Nadwornicek, Isabelle Stamm; poster wall by Uwe Jonas. At Kunstbrücke am Wildenbruch, part of the Kommunale Galerien Berlin, Germany.

2021 BIRDS AND BUOYS. Duo exhibition by Barbara Marcel and Nadja Abt. Curated by Katja Knast at Bärenzwinger Berlin, Germany.

2021 SÜDSTELLIUM. A project by Matheus Rocha Pitta, Ana Hupe, Barbara Marcel at Kottbusser Tor subway station in Berlin, Germany. Funded by the Projektförderung Friedrichshain-Kreuzberg 2020.

2020				CRITICAL ZONES. Observatory for Earthy Politics. Curated by Bruno Latour, Peter Weibel, Bettina Korintenberg and Martin Guinard. Center for Art and Media ZKM, Karlsruhe, Germany.

2020 BERLINISCHE GALERIE, IBB-Video Space. Screenings of videoart by Barbara Marcel, curated by Nuno De Brito Rocha, Berlin, Germany.

2020 MAC – Museu de Arte Contemporânea de Niterói – Rio de Janeiro. Screenings of videoart by Barbara Marcel, curated by Raphael Fonseca. Brazil.

2020 AGROPOETICS at Inland — art, agriculture &#38;amp; territory. Madrid, Spain.

2020 FOSSO #15, Rio de Janeiro, Brazil.

2020 GOETHE INSTITUTE Concepción. Screening of Humo sobre los Humedales. Concepción, Chile.

2019	solo HUMO SOBRE LOS HUMEDALES. Solo exhibition resulting from the Goethe Institute Residency Artivism, curated by Luis Alarcón and Ana María Saavedra. GALERIA METROPOLITANA, Santiago de Chile. 

2019 SOIL IS AN INSCRIBED BODY. Curated by Elena Agudio Marleen Boschen. At SAVVY Contemporary, Berlin, Germany. 

2019 LICHT LUFT SCHEIßE [Light Air Shit], Perspectives on Ecology and Modernity. Curated by Florian Wüst and Marco Clausen. Nachbarschaftsakademie, nGbK&#38;nbsp; and Prinzessinengarten, Berlin, Germany. 

2019 AS REAL BECOMES SURREAL. Screenings running parallel to the 16th Istanbul Biennial of the Istanbul Foundation for Culture and Arts (IKSV) at Kundura Cinema, Istanbul, Turkey.

2019 FIRE FAÍSCA FUNKE, financed by the Berlin Project Fund Arts Education Friedrichshain-Kreuzberg, Mario Kreuzberg Gallery, Berlin, Germany.

2019 FRACTURED LANDSCAPES: Broad Underground Film Series, Eli and Edythe Broad Art Museum at Michigan State University, USA.

2018 	DISAPPEARING LEGACIES: THE WORLD AS FOREST, Zentralmagazin Naturwissenschaftlicher Sammlungen, Martin-Luther-Universität Halle-Wittenberg, Halle/Saale, Germany.

2018 REENCONTRES INTERNATIONALES: New Cinema and Contemporary Arts, screening at Haus der Kulturen der Welt, Berlin, Germany.

2018 La VOLUNTAD DE LA FORMA, Espacio Pla. Buenos Aires, Argentina.

2018 REENCONTRES INTERNATIONALES: New Cinema and Contemporary Arts, screening at Luminôr Hôtel de Ville and Centre Georges-Pompidou. Paris, France.

2018 DISAPPEARING LEGACIES: THE WORLD AS FOREST, Tieranatomische Theater, Humboldt University Berlin, Germany.

2017	LANDSCAPES OF EXCESS, screening at Kispas. Brussels, Belgium.

2017 DISAPPEARING LEGACIES: THE WORLD AS FOREST, CeNak - Zoologisches Museum Hamburg, Germany. 

2017 FIT FRAME TO CONTENT, Urlaub Projects. Berlin, Germany.

2017 UNIVERSIDAD DESCONOCIDA, Standard/Deluxe. Lausanne, Switzerland.

2017 PLATFORMS PROJECT 2017, with Campus Novel. Athens, Greece. 

2017 solo TROPIC MATTERS, V240. Amsterdam, The Netherlands.

2017 LANDSCAPES OF EXCESS, screening at Teatro Munganga, Amsterdam, The Netherlands.

2016	THERE WILL COME SOFT RAINS, GMK. Berlin, Germany.

2016 OMONOIA ATHENS BIENNALE - THE EVER-GARDEN EFFECT, collaborative project with Campus Novel. Athens, Greece.

2016 INTUITIVE QUADRANTS, Luis Leu Ausstellungsraum für zeitgenössische Kunst. Karlsruhe, Germany.

2016 62. INTERNATIONALE KURZFILMTAGE OBERHAUSEN. We Do The Voodoo (One minute Project), curated by Helen Dowling. Oberhausen, Germany.

2016 EYE MUSEUM. We Do The Voodoo (One minute Project), curated by Helen Dowling. Amsterdam, The Netherlands.

2015	PHOTOGRAPHY, HISTORY AND MEMORY WITH ARNO GISINGER, Museum of Art Rio de Janeiro. Rio de Janeiro, Brazil.

2015 LUMINOUS FLUX - REFLECTED OVERLAYS ON LOCATIVE NORMS, Syros Institute. Syros, Greece.

2015 VISION AND FEAR STATION, Galerie für Zeitgenössische Kunst Leipzig. Leipzig, Germany.

2015 ON PROJECTION, Kühlhaus Berlin. Berlin, Germany.

2015 THROUGH THE LOOKING SCREEN, 175 Gallery. Seoul, South Korea.

2015 ON LANDSCAPE. Book Exhibition, Matèria Gallery. Rome, Italy.

2015 KÜNSTLERBÜCHER AUSSTELLUNG. Clap – Temporary room. Essen, Germany.

2014	solo REPRESENTATIVES. Altes Finanzamt, Berlin, Germany.

2014 BRASILIEN TRIFFT BERLIN, Berlin, Germany.

2014 RUNDGANG MASTERARBEITEN 2013/2014 Institut Art in Context. University of Arts Berlin, Germany.

2014 ALÉM DA UCRONIA. Neo-Realism Museum, Lisbon, Portugal.

2013	DESVENDA. Marta Traba Gallery, Fundação Memorial da América Latina. São Paulo, Brazil.

2013 SPRINGS AND SOURCES. Andros, Greece.

2013 230.000 CM: Part 2, Karl Marx Studio. NACHT UND NEBEL ART FESTIVAL. &#38;amp; Part 1, Karl Marx Studio. 48 STUNDEN NEUKÖLLN ART FESTIVAL. Berlin, Germany.

2013 PIC: PIECES IN CHAIN, MPAB - Month of Performance Art Berlin. Berlin, Germany.

2013 RETURN TO FOREVER, TZB Gallery of the Czech Centre Berlin, Germany.

2013 COLOGNEOFF INDIA II: Carnival of eCreativity, Sattal, India.

2012	A PARADISE IS A PARADISE IS A PARADISE, Karl Marx Studio, 48-Stunden Neukölln Art Festival. Berlin, Germany.

2012 VIDEOS DESVENDA, Museum Murillo La Greca. Recife, Brazil.

2012 FELDFORSCHUNG AM EINSTEINUFER, Institut Art in Context. Berlin, Germany.

2012 VIDEOS DESVENDA, Casa M de Mercosul. Porto Alegre, Brazil.

2012 25 INSTANTS VIDEO, Alexandria Art Center. Alexandria, Egypt.

2012 ANIMATE COLOGNE ART AND ANIMATION FESTIVAL. Cologne, Germany.

2012VIDEO ART FESTIVAL MIDEN. Kalamata, India.
2012 
ATHENS VIDEO ART FESTIVAL. Athens, Greece.2011 DESVENDA, Casa M de Mercosul, Porto Alegre, Brazil.2011 ALTES FINANZAMT, Berlin, Germany.2011 FIEBER, Marzia Frozen Gallery, Berlin, Germany.

GRANTS

9-12.2024	RESEARCH GRANT BERLIN SENATE. Berlin, Germany.

2023	DRESDEN TRANSCULTURAL ACADEMY “FUTURITIES” Fellow 2023. Grant. Dresden, Germany.

2022-2023	BERLIN ARTISTIC RESEARCH GRANT PROGRAMME Fellow 2022-23. Berlin, Germany.

2022	NEUSTART KULTURFONDS Project funding. Berlin, Germany.

2021	NEUSTART KULTURFONDS VG Bild-Kunst BKM. Berlin, Germany.

2020-21	BEZIRKSKULTURFONDS BERLIN: Kreuzberg-Friedrichshain. Funding by the District Culture Fund for the exhibition "Südstellium", initiated by Matheus Rocha Pitta, Ana Hupe and Barbara Marcel. Berlin, Germany.

2019	JESSICA-BILZ-FOND, Project "Situated Knowledges / Global Ecologies: A Collaborative Walkshop Ramble". Berlin, Germany.

2019 BEZIRKSKULTURFONDS BERLIN: Kreuzberg-Friedrichshain. Funding by the District Culture Fund for the exhibition "Der Süd ist unser Norden". Berlin, Germany.

10.2018-09.2021	HEINRICH BÖLL STIFTUNG. Three years Scholarship for PhD of Artistic Research at the Bauhaus University Weimar, Germany. 

2016	IFA - INSTITUT FÜR AUSLANDSBEZIEHUNGEN BERLIN. Prize for Solo Exhibition in Amsterdam 2017. Berlin, Germany.

2016 FRAUENFOND BAUHAUS UNIVERSITY WEIMAR. Funding for young artists: "The Archival Garden: Balcony Dialogues", Athens Biennale. Weimar, Germany.





RESIDENCIES




2021	Art Residency as part of the YANGO Art Biennale of Kinshasa, Democratic Republic of the Congo. 

2019	GOETHE INSTITUTE ARTIVISM RESIDENCY in Concepción, Chile.

2017	UNIVERSIDAD DESCONOCIDA. Two weeks artistic RESIDENCY at the Music and Theater Festival at the Tuquet, Montpon, France. 

2017 UNIVERSIDAD DESCONOCIDA, Standard Deluxe. Two weeks artistic RESIDENCY in the Alps, Evolène, Switzerland.

2016	LABverde ART IMMERSION PROGRAM IN THE AMAZON. Artistic Residency in the Reserve Adolpho Ducke (INPA), Manaus, Brazil. Funded by the Bauhaus University Weimar IPID4all (DAAD) Program for artistic research abroad. Weimar, Germany.

2015 	SYROS INSTITUTE. Artistic RESIDENCY about lighthouses on the island of Syros, Greece.

2013	SPRING AND SOURCES. Artistic RESIDENCY on the island of Andros, Greece.





CURATORIAL



2024	COMMON IMAGINARIES. 4th Research Seminar on Art and City_DESILHA 2024, Federal University of Rio de Janeiro. Co-organization of the conference. Rio de Janeiro, Brazil.

2023	HAU – Hebbel am Ufer Theater. Festival ¡PROTAGONISTAS! Beyond Equality: Feminisms Reclaiming Life. An Internationalist Gathering. Curated by Firoozeh Farvardin, Barbara Marcel, Camila Nobrega, Bahar Oghalai, Bafta Sarbo, Elif Sarican and Margarita Tsomou. Berlin, Germany.

2023 SINEMA TRANSTOPIA - Knowledge Ties #3: Amor Rojo. Moderation of the talk with Rike Frank and Dora Garcia after the exhibition of the film Amor Rojo, by Dora García. Berlin, Germany.

2019	SITUATED KNOWLEDGES / GLOBAL ECOLOGIES: A Collaborative Walkshop Ramble. During three days, the project, initiated by Barbara Marcel and Camila Nóbrega, brought together academic researchers with environmental activists, journalists and artists, for an experimental format of knowledge exchange. Funded by Jessica-Bilz-Stiftung, at Prinzessinnengarten, Berlin, Germany, 2-4 September.
WORK EXPERIENCE
2021	PROF. at the MA Ecology Futures at St. Joost School of Art, in the Netherlands.

2017	IMAGE AND SOUND EDITOR. “Women of the Fourth World”, Ana Hupe. (Berlin, 16').

2016-2017 	PRODUCTION AND EDITING ASSISTANT. “Spell Reel”, Filipa César (Germany / Portugal / France / Guinea-Bissau, Documentary, 96'). Screenings: Berlinale - Forum 2017.

2015-2017 	ARTIST ASSISTANT to visual artist Filipa César. Berlin, Germany. 

2015 	ASSISTANT DIRECTOR. “Transmission from the Liberated Zones”, Filipa César (Portugal / France / Germany / Sweden, 30'). Main Screenings: Berlinale - Forum Expanded 2016; Tempo Documentary Festival, Stockholm, Sweden; Indielisboa, Portugal; Kurzfilmtage&#38;nbsp; Oberhausen, Germany.

2014 	PRODUCER AND PRODUCTION DESIGNER. “Escape from my eyes”, Felipe Bragança (Brazil/Germany, 34'). Selected Screenings: Berlinale - Forum Expanded 2015; Curitiba Intl' Film Festival; Rio de Janeiro Intl' Film Festival, São Paulo Short Film Festival.

2006-2008	POST-PRODUCTION COORDINATOR in feature films at Conspiração Filmes Production Company, Rio de Janeiro, Brazil.
PUBLICATIONS
2023	A PARÁBOLA DO PROGRESSO. Catalog of the exhibition. Interview with Tie Jojima about the video installation MARLENE. Ed. SESC-SP. São Paulo, Brazil.

2023 CHILE INTERNATIONAL II. Sketches of the South - Maps of tomorrow. Edited by Eva-Christina Meier, Valeria Fahrenkrog &#38;amp; Galeria Metropolitana. nGbK Berlin, Germany.

2023 WORDS OF WEATHER, A GLOSSARY. Edited by Jussi Parikka &#38;amp; Daphne Dragona. Catalog of the exhibition at Onassis Foundation, Athens, Greece.

2022	WORLD OF ART: ART AND CLIMATE CHANGE", Edited by Maja and Reuben Fowkes. Thames &#38;amp; Hudson. 

2021	DESILHA 3. Organized by Michelle Sommer and Lívia Flores. Original Essay, co-written with Andreas Döpke and Tom Nóbrega, called&#38;nbsp;“canário azul: 5 fragmentos” (blue canary: 5 fragments).

2021 THESE BIRDS OF TEMPTATION: intercalations 6. Edited by Anna-Sophie Springer &#38;amp; Etienne Turpin. Co-published by K. Verlag and Haus der Kulturen der Welt. Original Essay, co-written with Andreas Döpke, called “Des Goldes Klang”. Berlin, Germany.

2020	THE WORK OF THE WIND: LAND. Edited by Christine Shaw &#38;amp; Etienne Turpin. Co-published by K. Verlag in partnership with the University of Toronto Mississauga. Original Essay called “The gardener, the rubber-tapper and the herbalist: a ciné-cipó”. Berlin, Germany.

2019	THE ENDOTIC READER N.1. Reader with contributions by the participants hosted by TIER - The Institute for Endotic Research, including Barbara Marcel's SEVEN CROSSROADS. Berlin, Germany.

2017	THE EVER-GARDEN EFFECT. Artist Book. Berlin, Germany / Athens, Greece.

2015 	LUMINOUS FLUX. Booklet Exhibition, Syros Institut. Syros, Greece.

2015 ON PROJECTION. Booklet Exhibition, Kühlhaus Berlin, Germany.

2014 	AUS DEM KONTEXT. Catalogue of the exhibition “Masterarbeiten 2013/2014” from the Art in Context Institute at the Universität der Künste Berlin, Germany.

2013	LANGUAGE IS AN INVISIBLE LANDSCAPE. Drawings “Humaitá” and “A pedra agora é preta”. Collective publication curated by Portuguese artist Marta Leite. Berlin, Germany.

2013 230 000 CM. Collective publication of photos and original texts. Project funded by Quartier Donaukiez of Neukölln, organized by Marta Leite, Barbara and Marcel Senli in the Karl Marx Studio. Berlin, Germany.
ARTISTIC TALKS, LECTURES, WORKSHOPS AND SEMINARS (selection)

2024	ICE AND COAL # RESEARCH IN ART. Graduate Program in Visual Arts at the Federal University of Rio de Janeiro. André Leal, Cecilia Mori, Livia Flores and Ronald Duarte invite Alexandre Vogler, Barbara Marcel, Felipe Scovino, Malu Fatorelli and Stanley Vinicius to a conversation with Ana Schaefer, Ana Szwarc, Antonio Salviano, Bia Vinzon, Cris Marinho, João Rodrigo Ostrower, Lila Deva, Luiza Dideco, Matheus Vieira, Nina Balbi, Pamela Alves, Rene Bessa, Renan Paiva, Ricardo Alvarenga and Tainah Longras. Rio de Janeiro, Brazil.

2024 EXPERIMENTAL CINEMA AND THE QUESTION OF GENDER. Seminar by Prof. Guiomar Ramos in the Graduate Program in Creative Media at the Federal University of Rio de Janeiro. Artist talk and screening of the film MARLENE by Barbara Marcel. Rio de Janeiro, Brazil.

2024 COMMON IMAGINARIES. 4th Research Seminar on Art and City_DESILHA 2024, Federal University of Rio de Janeiro. Lecture Performance at the opening of the event, alongside Livia Flores, André Leal and Giovanni Festa, at&#38;nbsp; Centro Cultural da Justiça Federal. Rio de Janeiro, Brazil.

2023	HAU – Hebbel am Ufer Theater. Festival ¡PROTAGONISTAS! Beyond Equality: Feminisms Reclaiming Life. An Internationalist Gathering. Moderation of Round Table “Against Capitalism and its extractivisms: From Community Feminisms to the Territorial Cuerpo-Tierra from Territorial Community Feminism and agroecology in Abya Yala (Latin America)” With: Lorena Cabnal, Carmen Cariño, Miriam Nobre, Louise Wagner / Moderation: Barbara Marcel, Camila Nobrega. Berlin, Germany.

2023 SINEMA TRANSTOPIA - Knowledge Ties #3: Amor Rojo. Moderation of the talk with Rike Frank and Dora Garcia after the exhibition of the film Amor Rojo, by Dora García. Berlin, Germany.

2023 SINEMA TRANSTOPIA - Knowledge Ties #4: HUMO SOBRE LOS HUMEDALES. A presentation by Deborah Shaw and exhibition of Barbara Marcel’s feature-length Humo sobre los Humedales, followed by a conversation with Shaw and Marcel moderated by Paz Guevara. Berlin, Germany.

2023 WERKLEITZ FESTIVAL – My Precious. Artist Talk with curator Lena Johanna Reisner. At Novalis-Museum Wiederstedt, Arnstein, Germany.

2023 BOOK LAUNCH: CHILE INTERNATIONAL II - Skizzen des Südens - Landkarten von morgen (Sketches of the South - Maps of tomorrow). Conversation between Eva-Christina Meier, Ana María Saavedra and Luis Alarcón (Galeria Metropolitana, Santiago de Chile). nGbK, Berlin, Germany.

2022	GLOBAL ENVIRONMENTAL JUSTICE AND ITS LIMITS: Complexities of Time and Space. 2nd Annual Conference of the EH Justice Network. Aarhus University, Denmark, 3-5 November.

2022 LIVING TOGETHER, LOOKING APART, International Conference at Oyoun, Berlin, Germany, 28-30 September.

2022 PARADOXOS DA PAISAGEM II. Graduate Program in Performing Arts, ECO-UFRJ. Follow-up of the students’ final projects. Rio de Janeiro, Brazil, 15 August.

2022 ARTIST TALK organized by Laboratório de Crítica e Curadoria [LabCC] &#38;amp; MOVART gallery, at Galeria do Banco Económico, Luanda, Angola.

2022 JUCÁ/YUCA. Lecture Performance in collaboration with poet Érica Zíngano as part of the Festival “língua à solta”, at the Guimarães Rosa Institute / Brazil Angola Cultural Center. Luanda, Angola.

2022 QUALÉ, MANÉ?. Workshop and Performance in collaboration with poet Érica Zíngano as part of the Festival “língua à solta”, at the Guimarães Rosa Institute / Brazil Angola Cultural Center. Luanda, Angola.

2022 VISIONS DU RÉEL FILM FESTIVAL 2022. Morning Talk 4: Artists and documentaries practices: a field guide. Nyon, Switzerland.

2021	THIRD CINEMA. Workshop during the art residency at the YANGO! Biennale 2021-2022. Kinshasa, Democratic Republic of the Congo.

2021 ON LATEX - Critical Inflections on (Neo)Extractivism in Latin America. Conference organized by the ICI Berlin - Institute of Cultural Inquiry in cooperation with Stanford University. Artist talk. Berlin, Germany, 27-28 September.

2021 LANDSCAPE EXERCISES. 3rd Research Seminar on Art and City_DESILHA 2021, Federal University of Rio de Janeiro. Online lecture performance and artist talk in collaboration with Tom Nóbrega. Roundtable: Mineral Landscapes. UFRJ, Rio de Janeiro, Brazil, 10 June.

2021 ANDERE WÄLDER. Lecture performance and artist talk at the University of Arts Linz, in cooperation with the art festival FMR21. Linz, Austria, 06 May. 

2021 BIRDS AND BUOYS. Online artist talk. Paz Guevara in conversation with Nadja Abt, Barbara Marcel and Katja Kynast, as part of the exhibition "Birds and Buoys" at the Bärenzwinger in Berlin, Germany, 28 April.

2021 ZUM DIGITALEN REGIME DER KUNST IN ZEITEN DER PANDEMIE. Artist talk, film screening and studio visits with students of the State Academy of Fine Arts Stuttgart, Germany, 14-15 January.

2020 	ANTHROPOCENE CURRICULUM: THE SHAPE OF PRACTICE. Talk and workshop participation in the program, at the HKW Haus der Kulturen der Welt Berlin, Germany, 26-31 October.

2020 TERRESTRIAL UNIVERSITY: Ciné-Cipó – Cine-Liana at Amazon Tall Tower Observatory. ARTIST TALK with curator Bettina Korintenberg, as part of the exhibition CRITICAL ZONES - Observatory for Earthy Politics, curated by Bruno Latour, Peter Weibel, Bettina Korintenberg and Martin Guinard at the Center for Art and Media ZKM, Karlsruhe, Germany, 08 October.

2020 OPEN AIR VIDEO ART. Screening night of Barbara Marcel's &#38;amp; Ana Hupe's work and artist talk between Marcel, Hupe and the director Dr. Thomas Köhler at BERLINISCHE GALERIE. Berlin, Germany, 28 August.

2020 THE ESSAY AND EXPERIMENTATION AS FORM AND LANGUAGE: BODY, ARCHIVE, TESTIMONY. Lecture. III Jornadas Internacionales de Estéticas y Políticas Contemporáneas Nuestroamericanas (III International Conference on Nuestroamerican Contemporary Aesthetics and Politics). Universidad de Avellaneda, Argentina, 29 August.

2020 THE GARDENER, THE RUBBER TAPPER AND THE HERBALIST. Lecture performance and artist talk at FOSSO 15, Rio de Janeiro, Brazil, 08 February.&#38;nbsp; 

2019 	HUMO SOBRE LOS HUMEDALES. Lecture performance of an ongoing project. Event organized by the GOETHE Institute of Santiago de Chile in collaboration with Galeria Metropolitana, Chile, 14 December.

2019 WHAT ELSE BURNS WHEN THE AMAZON BURNS? Artist talk initiated by Barbara Marcel and Camila Nóbrega with Alessandra Munduruku and Vândria Borari. Parallel event to the exhibition SOIL IS AN INSCRIBED BODY. ON SOVEREIGNTY AND AGROPOETICS, at Savvy Contemporary Berlin, Germany, 22 September.

2019 WOMEN IN MOVEMENT / The Patriarchy of Land. On Agrarian Movements and Their Internal Struggles. INVOCATIONS discursive program as part of the exhibition SOIL IS AN INSCRIBED BODY. ON SOVEREIGNTY AND AGROPOETICS, at Savvy Contemporary Berlin, Germany, 14 September.

2019 NARRATIVES OF SOCIO-ENVIRONMENTAL JUSTICE IN BRAZIL: ON THE RIGHT TO THE TERRITORIES AND IMAGINARIES. Artist talk initiated by Barbara Marcel and Camila Nóbrega with Brazilian grassroot movement activists Silvia Baptista (TEIA - Women's Agroecological Collective) and Luana Carvalho (MST - Landless Workers' Movement in Brazil). Discursive program as part of the exhibition “Licht, Luft und Scheisse - Perspectives on Ecology and Modernity", a joint production of: Botanischer Garten und Botanisches Museum der Freien Universität Berlin (BGBM), Martin-Elsaesser-Stiftung, Nachbarschaftsakademie im Prinzessinnengarten Kreuzberg and neue Gesellschaft für bildende Kunst (nGbK). Berlin, Germany, 4 September.

2018 	CHANGING CLIMATES Conference. Engaging Citizens with Local Environments and Ecologies through Digital Interventions. Presentation at the conference, lecture performance. University of Skövde, Sweden, 22-24 November.

2018 THE OPEN FOREST. Lecture performance at the International Conference POLITICS OF NATURE. Organized by Federico Luisetti and Emmanuel Alloa. School for Humanities and Social Sciences, University of St. Gallen, Switzerland, 11-13 October.

2018 12 SCHNITTE UND EIN LOCH IM TAL [12 steps and a hole in the valley]. A Walkshop Ramble initiated by Barbara Marcel in collaboration with geographer Andreas Döpke, with the support of TRAFFO – UNESCO and the participation of students of the University of Hamburg and University of Hildesheim. Harz, Germany. 

2018 HOW ON EARTH? Consuming a planet. Lecture performance as part of the exhibition Disappearing Legacies: The World as Forest, at the Tieranatomisches Theater Berlin, Germany, 29 April. 

2017	PLATFORMS PROJECT. Artist talk in collaboration with Campus Novel, as part of the release of the artist publication “The ever-garden effect”. Athens, Greece, 19 May.

2016	THE EVER-GARDEN EFFECT. One-week workshop initiated by Barbara Marcel in collaboration with the Greek Artist Collective Campus Novel as part of the OMONOIA Athens Biennial, Greece, 01-05 May.

2016 NATIONAL ASSOCIATION OF FINE ARTS EDUCATION (NAFAE) SYMPOSIUM at the University of Cumbria Institute of the Arts. Presentation of artistic research methodologies at the conference. Lancaster, United Kingdom, 15-16 July.

2014	ARTIST TALK: ARTICLINIC. Werkstadt Neukölln. Berlin, Germany.

2012	ARTIST TALK AND SCREENING, Altes Finanzamt. Berlin, Germany.
</description>
		
	</item>
		
		
	<item>
		<title>KLIMA BIENNALE: WILDERNESS ALLIANCES</title>
				
		<link>https://barbaramarcel.com.br/KLIMA-BIENNALE-WILDERNESS-ALLIANCES</link>

		<pubDate>Mon, 23 Dec 2024 03:03:11 +0000</pubDate>

		<dc:creator>Barbara Marcel</dc:creator>

		<guid isPermaLink="true">https://barbaramarcel.com.br/KLIMA-BIENNALE-WILDERNESS-ALLIANCES</guid>

		<description>
	KLIMA BIENNALE: WILDERNESS ALLIANCES17.04.–04.06.2024 at&#38;nbsp;MOTHERBOARD, Vienna, Austria. Artists: Guadalupe Aldrete, Bettina Eigner, Fuzzy Earth, Anita Fuchs, Elena Kristofor, Barbara Marcel, Laura Sperl, Stephanie Winter &#38;amp; Salon Hybri. Curated by Stephanie Winter. Research by Linn Mauerer.
„WILDERNESS ALLIANCES — Exhibition &#38;amp; Laboratory for Artistic and Performative Research in Interaction with Plants“ is a MOTHERBOARD project that explores the relationship between humans, plants, and other vibrant entities. It is an immersive installation inspired by Hildegard von Bingen's concept of Viriditas - The Greening Power, composed of various plants, seeds, soil, and video works, responding to current environmental challenges. The exhibition creates a space for artists, visitors, and plants to explore diverse relationships within social, ecological, and political structures, encouraging new narratives within our interconnectedness with our home planet.
Barbara Marcel was part of the exhibited artists with the experimental short film THE OPEN FOREST.
Click here for more information on the Klima Biennale Wien and on the exhibition.

&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/afc2d18a9610de43ecd1346208053b613af4ccda81113ae123314e4fe11f8603/Barbara-Marcel_The-Open-Forest_2016-2017_Full-HD-video_21m17s_still-image_4.jpg" data-mid="223724023" border="0" alt="2017, The Open Forest. Video, color, audio, 24&#38;rsquo;23&#38;rdquo;. Still of the film. &#38;copy; Barbara Marcel" data-caption="2017, The Open Forest. Video, color, audio, 24’23”. Still of the film. © Barbara Marcel" src="https://freight.cargo.site/w/1000/i/afc2d18a9610de43ecd1346208053b613af4ccda81113ae123314e4fe11f8603/Barbara-Marcel_The-Open-Forest_2016-2017_Full-HD-video_21m17s_still-image_4.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/f92c67bbc475ce94600f6faa9b230564e2f5895262d1247a0f5358d55ece58f5/Barbara-Marcel_The-Open-Forest_2016-2017_Full-HD-video_21m17s_still-image_3.jpg" data-mid="223724022" border="0" alt="2017, The Open Forest. Video, color, audio, 24&#38;rsquo;23&#38;rdquo;. Still of the film. &#38;copy; Barbara Marcel" data-caption="2017, The Open Forest. Video, color, audio, 24’23”. Still of the film. © Barbara Marcel" src="https://freight.cargo.site/w/1000/i/f92c67bbc475ce94600f6faa9b230564e2f5895262d1247a0f5358d55ece58f5/Barbara-Marcel_The-Open-Forest_2016-2017_Full-HD-video_21m17s_still-image_3.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/d7204bf71b50cd07876ef8c33597044b05e2cd998011c04efdea83ba6684282d/Barbara-Marcel_The-Open-Forest_2016-2017_Full-HD-video_21m17s_still-image_1.jpg" data-mid="223724024" border="0" alt="2017, The Open Forest. Video, color, audio, 24&#38;rsquo;23&#38;rdquo;. Still of the film. &#38;copy; Barbara Marcel" data-caption="2017, The Open Forest. Video, color, audio, 24’23”. Still of the film. © Barbara Marcel" src="https://freight.cargo.site/w/1000/i/d7204bf71b50cd07876ef8c33597044b05e2cd998011c04efdea83ba6684282d/Barbara-Marcel_The-Open-Forest_2016-2017_Full-HD-video_21m17s_still-image_1.jpg" /&#62;
&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/6069c4477dbab53d6c5131efb59eb19d1fa4d758a6ff5676af6768d3927ee96a/Barbara-Marcel_The-Open-Forest_2016-2017_Full-HD-video_21m17s_still-image_2.jpg" data-mid="223724025" border="0" alt="2017, The Open Forest. Video, color, audio, 24&#38;rsquo;23&#38;rdquo;. Still of the film. &#38;copy; Barbara Marcel" data-caption="2017, The Open Forest. Video, color, audio, 24’23”. Still of the film. © Barbara Marcel" src="https://freight.cargo.site/w/1000/i/6069c4477dbab53d6c5131efb59eb19d1fa4d758a6ff5676af6768d3927ee96a/Barbara-Marcel_The-Open-Forest_2016-2017_Full-HD-video_21m17s_still-image_2.jpg" /&#62;



</description>
		
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	<item>
		<title>THE CHANGE IN PATTERNS</title>
				
		<link>https://barbaramarcel.com.br/THE-CHANGE-IN-PATTERNS</link>

		<pubDate>Tue, 31 Jan 2023 15:30:17 +0000</pubDate>

		<dc:creator>Barbara Marcel</dc:creator>

		<guid isPermaLink="true">https://barbaramarcel.com.br/THE-CHANGE-IN-PATTERNS</guid>

		<description>
	THE CHANGE IN PATTERNS
(THE CHANGE IN PATTERNS/ PT I. WATER MINING&#38;nbsp;)
From January 15th 2023, at WildPalms, Düsseldorf, Germany.
Barbara Marcel, Mario Asef, Hans Baumann, Felipe Castelblanco. &#38;nbsp;

Climate patterns have changed. We enter in the era of the extraordinary. Every year, every month, another record is broken. While this exhibition is happening, California floodings are at record levels and we experience the warmest winter in Europe. Yes, it is about a way to conceive the climate change that is at our doorsteps, but we constantly forget.

We may not like to think about it, because it is inextricably linked to how we live our lives today.

The basis of our contemporary society is built upon extraction of natural resources in large quantities. For the extraction, water plays an important role. For fracking or to attain lithium, both processes are denominated by water mining.

In Brandenburg, the Tesla factory demands of a large amount of water. Electric cars, new clean energy, thanks to water and drying out the land, an area that is still entangled with the history of dirty energy coal in the region. The abandoned coal mines are pools of an iron mud that contaminates the water.

California has experienced drought conditions in recent years, which has affected the state’s lakes and reservoirs. Low rainfall and high temperatures have led to decreased water levels in many of the state’s lakes and reservoirs, making them less able to provide water for irrigation and drinking water supplies.

Chile and Argentina are home to a number of wetlands, which play important roles in the ecological and economic well-being of the region. These wetlands include marshes, swamps, and peatlands, and are home to a wide variety of plant and animal species.

However, both countries have faced problems with the destruction of wetlands due to human activities such as agriculture and urbanization based on water mining, which has lead to the loss of biodiversity and the destruction of habitats for wildlife.

Water scarcity is a growing concern around the world and has the potential to lead to conflicts, particularly in regions where water resources are limited and populations are increasing. Climate change is also exacerbating the problem by altering precipitation patterns and increasing the risk of droughts. Can we see the water bodies as something universal, away from territorial fights while crossing the ocean with smallest raft that can hold a human being?

We can change the future: especially by being aware that in the past, constantly there was the intent to write our future differently.- “Wildpalms“


&#60;img width="8000" height="4500" width_o="8000" height_o="4500" data-src="https://freight.cargo.site/t/original/i/3d063e5405a775bf08fd766c50894a7d0b2d60c6c92331c8ebc0c18ffc171351/HUMOSOBRELOSHUMEDALES_Still14.jpg" data-mid="166776787" border="0" data-scale="57" alt="Barbara Marcel. Humo Sobre los Humedales Still." data-caption="Barbara Marcel. Humo Sobre los Humedales Still." src="https://freight.cargo.site/w/1000/i/3d063e5405a775bf08fd766c50894a7d0b2d60c6c92331c8ebc0c18ffc171351/HUMOSOBRELOSHUMEDALES_Still14.jpg" /&#62;



</description>
		
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	<item>
		<title>MOTORES DEL CLIMA</title>
				
		<link>https://barbaramarcel.com.br/MOTORES-DEL-CLIMA</link>

		<pubDate>Mon, 23 Dec 2024 03:49:21 +0000</pubDate>

		<dc:creator>Barbara Marcel</dc:creator>

		<guid isPermaLink="true">https://barbaramarcel.com.br/MOTORES-DEL-CLIMA</guid>

		<description>
	MOTORES DEL CLIMA
06.10.2023 – 18.05.2024, MOTORES DEL CLIMA: Poetics, politics and technologies of the environment. Collective exhibition curated by Daphne Dragona and Jussi Parikka at LABoral - Centro de Arte y Creación Industrial in Gijon, Spain. Artists: Kat Austen, Anca Benera &#38;amp; Arnold Estefan, Felipe Castelblanco, Kent Chan, Denise Ferreira da Silva &#38;amp; Arjuna Neuman, DESIGN EARTH, Matthias Fritsch, Geocinema (Asia Bazdyrieva &#38;amp; Solveig Qu Suess), Abelardo Gil-Fournier, Hypercomf, Lito Kattou, Zissis Kotionis, Pablo de Lillo, Atmospheric Research Collective (Tom Corby, Gavin Baily, Jonathan Mackenzie, Louise Sime, Giles Lane, Erin Dickson, George Roussos), Matterlurgy (Helena Hunter &#38;amp; Mark Peter Wright), Barbara Marcel, Víctor Mazón, Petros Moris, Sybille Neumeyer, Afroditi Psarra &#38;amp; Audrey Briot, Rotor Studio (Ángeles Angulo y Román Torre), Susan Schuppli, Rachel Shearer &#38;amp; Cathy Livermore, Stefania Strouza, Superflux, Paky Vlassopoulou, Thomas Wrede.


“Motores del clima” explores the poetics, politics, and technologies of the environment from the ground to the sky, and from soil to atmosphere.

The weather is a dynamic system of pressure, temperature and humidity. It manifests through maps, media, and simulations while it touches the skin. Weather is felt unevenly, from extremes to mundane mildness of a breeze. Some are exposed, some are sheltered; weather wears some down, some gain profit.

“Motores del clima” is an art exhibition and a program of talks, performances and workshops taking place at LABoral - Centro de Arte y Creación Industrial in Gijon, Spain. It explores weather as a complex system, as observation and control, and as a lived experience. The projects and events refer to natural phenomena and climate change, past and contemporary strategies of engineering the weather, as well as to different sociopolitical atmospheres related to breathing and living. Approaching the models and systems of art as techniques of knowledge, “Motores del clima” addresses the need for climate justice, and for embracing the surrounding more-than-human world(s).

The exhibition is accompanied by the publication “Words of Weather: A glossary” that maps terms for a political ecology of experience.

Link to the exhibition.


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&#60;img width="1608" height="1073" width_o="1608" height_o="1073" data-src="https://freight.cargo.site/t/original/i/8c8d7ec2094787f5fc742b6583877e937a1c32b9db796bf8afb67ccbde586d73/Motores_del_Clima_LABORAL_David-Aguilar-Sanchez_07.jpg" data-mid="223724811" border="0" alt="2023, Documentation of the exhibition Motores del Clima at LABORAL. &#38;copy; David Aguilar Sanchez." data-caption="2023, Documentation of the exhibition Motores del Clima at LABORAL. © David Aguilar Sanchez." src="https://freight.cargo.site/w/1000/i/8c8d7ec2094787f5fc742b6583877e937a1c32b9db796bf8afb67ccbde586d73/Motores_del_Clima_LABORAL_David-Aguilar-Sanchez_07.jpg" /&#62;
&#60;img width="1608" height="1073" width_o="1608" height_o="1073" data-src="https://freight.cargo.site/t/original/i/9b3bd7b5f273bbb0d53cb85fe265c2f70f26612093f6183a76c341074e9e2d43/Motores_del_Clima_LABORAL_David-Aguilar-Sanchez_32.jpg" data-mid="223724809" border="0" alt="2023, Documentation of the exhibition Motores del Clima at LABORAL, showing Barbara Marcel's video installation CIN&#38;Eacute;-CIP&#38;Oacute; in the back, left. &#38;copy; David Aguilar Sanchez." data-caption="2023, Documentation of the exhibition Motores del Clima at LABORAL, showing Barbara Marcel's video installation CINÉ-CIPÓ in the back, left. © David Aguilar Sanchez." src="https://freight.cargo.site/w/1000/i/9b3bd7b5f273bbb0d53cb85fe265c2f70f26612093f6183a76c341074e9e2d43/Motores_del_Clima_LABORAL_David-Aguilar-Sanchez_32.jpg" /&#62;
&#60;img width="1608" height="1073" width_o="1608" height_o="1073" data-src="https://freight.cargo.site/t/original/i/500c266ad00f005263b52c5f9dd25f9b29518440604663d848cae0378e7d5cd7/Motores_del_Clima_LABORAL_David-Aguilar-Sanchez_33.jpg" data-mid="223724810" border="0" alt="2023, Documentation of the exhibition Motores del Clima at LABORAL, showing Barbara Marcel's video installation CIN&#38;Eacute;-CIP&#38;Oacute; in the back. &#38;copy; David Aguilar Sanchez." data-caption="2023, Documentation of the exhibition Motores del Clima at LABORAL, showing Barbara Marcel's video installation CINÉ-CIPÓ in the back. © David Aguilar Sanchez." src="https://freight.cargo.site/w/1000/i/500c266ad00f005263b52c5f9dd25f9b29518440604663d848cae0378e7d5cd7/Motores_del_Clima_LABORAL_David-Aguilar-Sanchez_33.jpg" /&#62;




</description>
		
	</item>
		
		
	<item>
		<title>UMBRALES</title>
				
		<link>https://barbaramarcel.com.br/UMBRALES</link>

		<pubDate>Mon, 17 Jan 2022 16:57:04 +0000</pubDate>

		<dc:creator>Barbara Marcel</dc:creator>

		<guid isPermaLink="true">https://barbaramarcel.com.br/UMBRALES</guid>

		<description>
	UMBRALES
12.11.2021 - 20.02.2022, Stuttgart

Collective exhibition at ifa Gallery Stuttgart (DE) in collaboration with BIENAL DE ARTES MEDIALES, Santiago de Chile (CHL).



Thresholds. How to tie time together?
&#38;nbsp;
What should a social order that seeks answers to the pressing issues facing society today look like? Which codes and focal points come together to form the social network of our time? How can art and culture contribute to a better understanding of the effects of human actions on the fragile ecosystem?Within the scope of 15 bienal de artes mediales (media art biennale) in Santiago de Chile, the exhibition 'Umbrales – Thresholds' explores the transformation, insecurity and vulnerability of societies in times of multiple planetary crises. Being at the threshold means being in an intermediate state, in uncertainty, the unknown and unconscious, and also in a moment of change.

This joint project takes as its starting point the wave of protests against the government in Chile that began in October 2019. The country's deep and interlinked social and ecological crises are made evident. The protests resulted in the constitution of Chile, which still derived from the time of the Pinochet dictatorship, being rewritten – in a participative process that will be completed in 2023. Questions concerning ecological sensitivity, the recognition of a diversity of cultures and languages, gender equality, and the socio-technological nature of living environments are not only relevant in Chile. They all represent themes that require the reorganisation of different social orders around the world.How to tie time together?&#38;nbsp;– poses the question as to how entering into relationships with one another and finding orientation and contact in space and time. The exhibition sees itself as an invitation to sharpen the senses and sensitivity at a time of insecurity – to observe attentively, to listen and feel, and also to dream, imagine and remember, and to understand oneself as part of a complex constellation of interdependent relationships.

The exhibition is accompanied by an online publication that will accrue over the exhibition period, continuing the gathering of fragments, observations, thoughts, discussions, and shared exploration in a digital space.The three new multimedia installations by the Chilean artists Elisa Balmaceda&#38;nbsp;(born 1985) and&#38;nbsp;Claudia González&#38;nbsp;(born 1983) and the Brazilian artist&#38;nbsp;Barbara Marcel&#38;nbsp;(born 1985) look at various threshold moments: the protests on the streets in Chile, the landscapes and people exhausted by exploitation and industrialisation, the ruins and remnants of a modernised and accelerated world. A sense of interconnectedness is at the centre of these works, a feeling that makes the entanglements of life tangible. Beginning with these symbiotic nodes, these works explore a myriad of opportunities to create connections by means of and yet also in particular by going beyond human languages. In all of this, different forms of knowledge and old and new technologies intermingle and open up a new understanding of ourselves within the contexts of our lives.


Curators: Bettina Korintenberg, Enrique RiveraArtists: Elisa Balmaceda with Rodrigo Ríos Zunino, Claudia González Godoy, Barbara Marcel, Elektra WagenradCurator film programme: Florian WüstProject coordination and management: Constanza GüellExhibition website: https://www.ifa.de/en/exhibit/umbrales
The 15 bienal de artes mediales, Santiago de Chile takes place from 26.11.2021 – 31.03.2022. 



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&#60;img width="420" height="236" width_o="420" height_o="236" data-src="https://freight.cargo.site/t/original/i/dc010a0d11ba679a209c26233f8a28eaeac4e0142617a9a3f38b1a1a06bb01c7/IMG_6359.gif" data-mid="130506862" border="0" alt="Exhibition view &#38;ldquo;Umbrales&#38;rdquo;, ifa Gallery Stuttgart, 2021 / 2022 &#38;copy; ifa Gallery Stuttgart, video: Barbara Marcel" data-caption="Exhibition view “Umbrales”, ifa Gallery Stuttgart, 2021 / 2022 © ifa Gallery Stuttgart, video: Barbara Marcel" src="https://freight.cargo.site/w/420/i/dc010a0d11ba679a209c26233f8a28eaeac4e0142617a9a3f38b1a1a06bb01c7/IMG_6359.gif" /&#62;
&#60;img width="380" height="214" width_o="380" height_o="214" data-src="https://freight.cargo.site/t/original/i/62ff6313c9423016cbf77c6a016e3b982485be3d7a68c89aaab8154f8fc4caed/IMG_6504.gif" data-mid="130523272" border="0" alt="Exhibition view &#38;ldquo;Umbrales&#38;rdquo;, ifa Gallery Stuttgart, 2021 / 2022 &#38;copy; ifa Gallery Stuttgart, video: Barbara Marcel" data-caption="Exhibition view “Umbrales”, ifa Gallery Stuttgart, 2021 / 2022 © ifa Gallery Stuttgart, video: Barbara Marcel" src="https://freight.cargo.site/w/380/i/62ff6313c9423016cbf77c6a016e3b982485be3d7a68c89aaab8154f8fc4caed/IMG_6504.gif" /&#62;


&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/c1b744319eb22c45427e62be4405eb8366386a84db0bb6e554feafb7b75e5fa7/IMG_6445.jpg" data-mid="130512694" border="0" alt="Exhibition view &#38;ldquo;Umbrales&#38;rdquo;, ifa Gallery Stuttgart, 2021 / 2022 &#38;copy; ifa Gallery Stuttgart, photo: Barbara Marcel" data-caption="Exhibition view “Umbrales”, ifa Gallery Stuttgart, 2021 / 2022 © ifa Gallery Stuttgart, photo: Barbara Marcel" src="https://freight.cargo.site/w/1000/i/c1b744319eb22c45427e62be4405eb8366386a84db0bb6e554feafb7b75e5fa7/IMG_6445.jpg" /&#62;


&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/e68445c51e938fd049d0df89a9172338bea62e5d52b9ebd0d3ec0e8b782699d0/IMG_6450.jpg" data-mid="130512696" border="0" alt="Exhibition view &#38;ldquo;Umbrales&#38;rdquo;, ifa Gallery Stuttgart, 2021 / 2022 &#38;copy; ifa Gallery Stuttgart, photo: Barbara Marcel" data-caption="Exhibition view “Umbrales”, ifa Gallery Stuttgart, 2021 / 2022 © ifa Gallery Stuttgart, photo: Barbara Marcel" src="https://freight.cargo.site/w/1000/i/e68445c51e938fd049d0df89a9172338bea62e5d52b9ebd0d3ec0e8b782699d0/IMG_6450.jpg" /&#62;


&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/8c516122fab4285ecd590440014db77f56ef7256668cc49eb504738acc8756c2/IMG_6462.jpg" data-mid="130512945" border="0" alt="Exhibition view &#38;ldquo;Umbrales&#38;rdquo;, ifa Gallery Stuttgart, 2021 / 2022 &#38;copy; ifa Gallery Stuttgart, photo: Barbara Marcel" data-caption="Exhibition view “Umbrales”, ifa Gallery Stuttgart, 2021 / 2022 © ifa Gallery Stuttgart, photo: Barbara Marcel" src="https://freight.cargo.site/w/1000/i/8c516122fab4285ecd590440014db77f56ef7256668cc49eb504738acc8756c2/IMG_6462.jpg" /&#62;

&#60;img width="2340" height="1387" width_o="2340" height_o="1387" data-src="https://freight.cargo.site/t/original/i/eb6b6e365d6b0a01ec5788f023562b2e9c475aeddc1182845d2c24e87ecdba30/csm_20211012-ifa-website-1_9796063337.jpeg" data-mid="130516987" border="0" alt="Poster of the exhibition &#38;ldquo;Umbrales&#38;rdquo;, ifa Gallery Stuttgart, 2021 / 2022 &#38;copy; ifa Gallery Stuttgart" data-caption="Poster of the exhibition “Umbrales”, ifa Gallery Stuttgart, 2021 / 2022 © ifa Gallery Stuttgart" src="https://freight.cargo.site/w/1000/i/eb6b6e365d6b0a01ec5788f023562b2e9c475aeddc1182845d2c24e87ecdba30/csm_20211012-ifa-website-1_9796063337.jpeg" /&#62;



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	<item>
		<title>A PARÁBOLA DO PROGRESSO</title>
				
		<link>https://barbaramarcel.com.br/A-PARABOLA-DO-PROGRESSO-1</link>

		<pubDate>Fri, 28 Oct 2022 13:56:01 +0000</pubDate>

		<dc:creator>Barbara Marcel</dc:creator>

		<guid isPermaLink="true">https://barbaramarcel.com.br/A-PARABOLA-DO-PROGRESSO-1</guid>

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	A PARÁBOLA DO PROGRESSO
(THE PARABLE OF PROGRESS)
From 26/10/22 to 02/04/23, Tuesday to Sunday at SESC Pompéia, São Paulo, Brazil.
Curatorial coordination by Lisete Lagnado and assistant curatorship by André Pitol and Yudi Rafael &#38;nbsp;


The exhibition reflects on the country's ideals of modernity and independence, seeking inclusive and diverse projects. With five dialogic territories, the show brings together social forces in welcoming environments for its communities. These five spaces celebrate the 40th anniversary of SESC Pompeia, inaugurated in 1982, which is a stage for culture, leisure, social welfare, and health - qualities and values to be rescued in this moment of global dystopia.The event also coincides with the bicentennial of Brazil's Independence (1822) and the centennial of the São Paulo Modern Art Week (1922), two historical dates that cut across the conception of the project, part of Sesc São Paulo's "Diverse 22" program. The curatorial coordination is by the critic Lisette Lagnado, with associate curators André Pitol and Yudi Rafael.
Aiming to discuss Lina Bo Bardi's legacy to Sesc Pompeia, one of the city's most vibrant architectural icons, the curators bring other references to add experiential and social layers to the project. Thus, five "dialogic spaces" participate in the exhibition, each with its own singularity: Acervo da Laje (railway suburb of Salvador, BA), Aldeia Kalipety (São Paulo, SP), Casa do Povo (São Paulo, SP), Quilombo Santa Rosa dos Pretos (Itapecuru Mirim, MA), and Savvy Contemporary - the Laboratory of form-ideas (Berlin, Germany).In opposition to authoritarian and demagogic drifts, different social forces have managed in the meantime to organize themselves and generate spaces of hospitality able to support their community. Knowing how to articulate cultural production within a perspective of care, sensitization and conviviality, these five meeting centers, now implemented within the Sesc Pompeia's Living Space, reinforce its transformation into a "village", amplifying Sesc São Paulo's wish when it invited Lina Bo Bardi and her team to recover the former drum factory: "to build another reality". They operate as conductors of hope within the parable of Positivism, called to illustrate the mythical relationship of this "country of the future", since its colonization and the Afro-Atlantic traffic, through various migratory flows that built the idyllic image of a hospitable nation, a land blessed with exuberant nature, the generosity and emotional expansiveness of a people that would have found its happiness in the mestization of its roots. Known for her appreciation of popular culture, Lina Bo Bardi's work also acquires new inflections today in the wake of decolonial studies attentive to the recognition of different degrees of extractivism and silencing.


&#60;img width="1440" height="913" width_o="1440" height_o="913" data-src="https://freight.cargo.site/t/original/i/bfd8b08acde385914b34129a263c7354c48e5a67aa3424be9878fd77ba6816f2/crop496210_28a84ec8b6754fe302e451a30186984a.gif" data-mid="171088036" border="0" alt="Exhibition Poster/GIF e-flux Announcements" data-caption="Exhibition Poster/GIF e-flux Announcements" src="https://freight.cargo.site/w/1000/i/bfd8b08acde385914b34129a263c7354c48e5a67aa3424be9878fd77ba6816f2/crop496210_28a84ec8b6754fe302e451a30186984a.gif" /&#62;



&#60;img width="1080" height="1920" width_o="1080" height_o="1920" data-src="https://freight.cargo.site/t/original/i/2b9201eecbc56ec1fd17fbb3542edd300764aea8d152a7d8d71549709259ae38/Convite.jpg" data-mid="157265892" border="0" alt="Exhibition invite, 2022" data-caption="Exhibition invite, 2022" src="https://freight.cargo.site/w/1000/i/2b9201eecbc56ec1fd17fbb3542edd300764aea8d152a7d8d71549709259ae38/Convite.jpg" /&#62;


&#60;img width="1200" height="1600" width_o="1200" height_o="1600" data-src="https://freight.cargo.site/t/original/i/6066ae78b9e148f0032ce5f7ee2787fa9319392f13e6f65f16ff1b8bf84145f1/WhatsApp-Image-2024-10-21-at-17.52.55-2.jpeg" data-mid="222907914" border="0" alt="Documentation of the exhibition." data-caption="Documentation of the exhibition." src="https://freight.cargo.site/w/1000/i/6066ae78b9e148f0032ce5f7ee2787fa9319392f13e6f65f16ff1b8bf84145f1/WhatsApp-Image-2024-10-21-at-17.52.55-2.jpeg" /&#62;

&#60;img width="1600" height="1200" width_o="1600" height_o="1200" data-src="https://freight.cargo.site/t/original/i/4fb83897cafba488b00818d0fa7e3526efbf9b9549a592e0502fbc85346f42f2/WhatsApp-Image-2024-10-21-at-17.52.55-1.jpeg" data-mid="222907915" border="0" alt="Documentation of the exhibition." data-caption="Documentation of the exhibition." src="https://freight.cargo.site/w/1000/i/4fb83897cafba488b00818d0fa7e3526efbf9b9549a592e0502fbc85346f42f2/WhatsApp-Image-2024-10-21-at-17.52.55-1.jpeg" /&#62;

&#60;img width="1600" height="1200" width_o="1600" height_o="1200" data-src="https://freight.cargo.site/t/original/i/dfa008e22fac18f6ceb6ce92c8793c22d49f005486f81f17fdb9e150b0c8dfd7/WhatsApp-Image-2024-10-21-at-17.52.55.jpeg" data-mid="222907916" border="0" alt="Documentation of the exhibition." data-caption="Documentation of the exhibition." src="https://freight.cargo.site/w/1000/i/dfa008e22fac18f6ceb6ce92c8793c22d49f005486f81f17fdb9e150b0c8dfd7/WhatsApp-Image-2024-10-21-at-17.52.55.jpeg" /&#62;


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	<item>
		<title>AL CONJURO DE ESTE CÓDIGO</title>
				
		<link>https://barbaramarcel.com.br/AL-CONJURO-DE-ESTE-CODIGO</link>

		<pubDate>Mon, 28 Mar 2022 08:23:36 +0000</pubDate>

		<dc:creator>Barbara Marcel</dc:creator>

		<guid isPermaLink="true">https://barbaramarcel.com.br/AL-CONJURO-DE-ESTE-CODIGO</guid>

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	AL CONJURO DE ESTE CÓDIGO
Tecnofeminismos para reescribir el mundo. (TO THE SPELL OF THIS CODE. Technofeminisms to rewrite the world.)

11.03 - 26.02.2022, at CASo - Centro de Arte Sonoro in Buenos Aires.
Exhibition participants: Abril Carissimo, Barbara Marcel, Candela del Valle, Cucu Trash, Electrobiota, Minga and Victoria Papagni. Curatorial team: Alma Laprida, Ana Mora, Jenny Maritza Ramírez Osorio, Maia Navas and Tania Puente.



The exhibition approaches technology from a feminist, decolonial and communitarian perspective. It is made up of a selection of works by artists from Argentina and Latin America that includes audiovisual pieces, installations, sound sculptures and an interactive virtual space.
“Al conjuro de este código” presents practices that subvert the uses of technological devices to deconstruct them, reterritorialize them and turn them into digital earth machines. It is conceived as a “pro-posición” (pro-position) rather than an “ex-posición” (ex-hibition), since it does not try to expose positions taken beforehand, but tries to encourage collective ways of thinking and acting on a diverse set of issues.






&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/f960c99916e9bceefed966ef643e18f6586e72fb71e679ae54b0a04ca98fe728/flyer-general.jpg" data-mid="137802815" border="0" alt="Invitation to the exhibition AL CONJURO DE ESTE C&#38;Oacute;DIGO at CASo - Centro de Arte Sonoro in Buenos Aires. " data-caption="Invitation to the exhibition AL CONJURO DE ESTE CÓDIGO at CASo - Centro de Arte Sonoro in Buenos Aires. " src="https://freight.cargo.site/w/1000/i/f960c99916e9bceefed966ef643e18f6586e72fb71e679ae54b0a04ca98fe728/flyer-general.jpg" /&#62;
&#60;img width="2000" height="1334" width_o="2000" height_o="1334" data-src="https://freight.cargo.site/t/original/i/1b0d1181197b064ac3701d4aed9c8f9d587ee208f3d39a612a682f56652a658a/2022-03-20-Des-composicion-colectiva-de-cartografias-afines-por-Vivas-6.jpg" data-mid="137802878" border="0" alt="Video-installation CINE LIANA, by Barbara Marcel, at the exhibition AL CONJURO DE ESTE C&#38;Oacute;DIGO at CASo - Centro de Arte Sonoro in Buenos Aires. " data-caption="Video-installation CINE LIANA, by Barbara Marcel, at the exhibition AL CONJURO DE ESTE CÓDIGO at CASo - Centro de Arte Sonoro in Buenos Aires. " src="https://freight.cargo.site/w/1000/i/1b0d1181197b064ac3701d4aed9c8f9d587ee208f3d39a612a682f56652a658a/2022-03-20-Des-composicion-colectiva-de-cartografias-afines-por-Vivas-6.jpg" /&#62;



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	<item>
		<title>FLUIDE REALITÄTEN</title>
				
		<link>https://barbaramarcel.com.br/FLUIDE-REALITATEN</link>

		<pubDate>Fri, 01 Oct 2021 18:00:42 +0000</pubDate>

		<dc:creator>Barbara Marcel</dc:creator>

		<guid isPermaLink="true">https://barbaramarcel.com.br/FLUIDE-REALITATEN</guid>

		<description>
	FLUIDE REALITÄTEN
(Fluid realities)&#38;nbsp;











Collective exhibition at 










Kunstbrücke am Wildenbruch, part of the Kommunale Galerien Berlin.
Curatiorial team:&#38;nbsp;Dorothee Bienert, Yolanda Kaddu-Mulindwa, Daniela Nadwornicek, Isabelle Stamm; Plakatwand: Uwe Jonas.



4.9.–31.10.2021






In the middle of northern Neukölln, an unusual art venue is being created: the Kunstbrücke am Wildenbruch. In the whimsical rooms of the historic toilet facility on the Neukölln shipping canal, the municipal gallery is launching an exhibition on the theme of water, the central basis of all life on Earth. How do ecosystems develop when climate change leads to changes in the global water balance? What are the consequences of human intervention in natural cycles and how can the balance be restored? The artists in the exhibition deal with water as a habitat and with its socio-political dimensions; but they are also fascinated by the physical existence of water and make us aware of its magical powers.Of ecologies, people and systems
Caterina Gobbi, Douglas Henderson, Bettina Hutschek, Armin Linke, Barbara Marcel, Sophia Pompéry, Alina Schmuch, Phillip Sulke

Of noise, lightning and doom
Felix Kiessling, osa - office for subversive architecture, Raul Walch, Hans Winkler


&#60;img width="1011" height="678" width_o="1011" height_o="678" data-src="https://freight.cargo.site/t/original/i/ab8ddd9927071f3952ea82fef991ef9121e30adc1a52157110f90e9b494aff85/IMG_2333_web2.jpg" data-mid="120506585" border="0" alt="Kunstbr&#38;uuml;cke am Wildenbruch. Photo by Nihad Nino Pusija" data-caption="Kunstbrücke am Wildenbruch. Photo by Nihad Nino Pusija" src="https://freight.cargo.site/w/1000/i/ab8ddd9927071f3952ea82fef991ef9121e30adc1a52157110f90e9b494aff85/IMG_2333_web2.jpg" /&#62;


&#60;img width="1440" height="1920" width_o="1440" height_o="1920" data-src="https://freight.cargo.site/t/original/i/9ab9076ff16f4b159c4363b5764ecd457b1de2aa89bb3cde2f01a7b1c5936804/IMG_4548_web.jpg" data-mid="120505994" border="0" alt="2021, 2 OR 3 FRAGMENTS OF HUMO SOBRE LOS HUMEDALES at the exhibition Fluide Realit&#38;auml;ten at Kunstbr&#38;uuml;cke am Wildenbruch." data-caption="2021, 2 OR 3 FRAGMENTS OF HUMO SOBRE LOS HUMEDALES at the exhibition Fluide Realitäten at Kunstbrücke am Wildenbruch." src="https://freight.cargo.site/w/1000/i/9ab9076ff16f4b159c4363b5764ecd457b1de2aa89bb3cde2f01a7b1c5936804/IMG_4548_web.jpg" /&#62;


&#60;img width="1440" height="1920" width_o="1440" height_o="1920" data-src="https://freight.cargo.site/t/original/i/1b5d7296e8fff1d82efd19a35ab568a40b1fe84a400f6472d95ba762a560c268/IMG_4560_web.jpg" data-mid="120928227" border="0" alt="2021, 2 OR 3 FRAGMENTS OF HUMO SOBRE LOS HUMEDALES at the exhibition Fluide Realit&#38;auml;ten at Kunstbr&#38;uuml;cke am Wildenbruch." data-caption="2021, 2 OR 3 FRAGMENTS OF HUMO SOBRE LOS HUMEDALES at the exhibition Fluide Realitäten at Kunstbrücke am Wildenbruch." src="https://freight.cargo.site/w/1000/i/1b5d7296e8fff1d82efd19a35ab568a40b1fe84a400f6472d95ba762a560c268/IMG_4560_web.jpg" /&#62;


&#60;img width="1440" height="1920" width_o="1440" height_o="1920" data-src="https://freight.cargo.site/t/original/i/39062c648f877e643cd290c0bcc340a5d12fcefec06461ab2ec8d7edf2ef6fa7/IMG_4564_web.jpg" data-mid="120928226" border="0" alt="2021, 2 OR 3 FRAGMENTS OF HUMO SOBRE LOS HUMEDALES at the exhibition Fluide Realit&#38;auml;ten at Kunstbr&#38;uuml;cke am Wildenbruch." data-caption="2021, 2 OR 3 FRAGMENTS OF HUMO SOBRE LOS HUMEDALES at the exhibition Fluide Realitäten at Kunstbrücke am Wildenbruch." src="https://freight.cargo.site/w/1000/i/39062c648f877e643cd290c0bcc340a5d12fcefec06461ab2ec8d7edf2ef6fa7/IMG_4564_web.jpg" /&#62;


&#60;img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/264253f2c1735d4eb82879b52d3ba80a3351d604f4980b520ef5f71b7e735ae6/IMG_2350.jpg" data-mid="120505646" border="0" alt="Exhibition Fluide Realit&#38;auml;ten at Kunstbr&#38;uuml;cke am Wildenbruch. Photo by Nihad Nino Pusija." data-caption="Exhibition Fluide Realitäten at Kunstbrücke am Wildenbruch. Photo by Nihad Nino Pusija." src="https://freight.cargo.site/w/1000/i/264253f2c1735d4eb82879b52d3ba80a3351d604f4980b520ef5f71b7e735ae6/IMG_2350.jpg" /&#62;


&#60;img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/9f9cb8494d6f6debb69d087d32ec4f60a39ceb05423f266893961bb23b43341a/IMG_2368.jpg" data-mid="120505649" border="0" alt="Exhibition Fluide Realit&#38;auml;ten at Kunstbr&#38;uuml;cke am Wildenbruch. Photo by Nihad Nino Pusija." data-caption="Exhibition Fluide Realitäten at Kunstbrücke am Wildenbruch. Photo by Nihad Nino Pusija." src="https://freight.cargo.site/w/1000/i/9f9cb8494d6f6debb69d087d32ec4f60a39ceb05423f266893961bb23b43341a/IMG_2368.jpg" /&#62;


&#60;img width="1024" height="683" width_o="1024" height_o="683" data-src="https://freight.cargo.site/t/original/i/6e76ad39524b021534a5ec54eff77bed6108e2fe2f0b0e06285ae0302bfc4dba/IMG_2334.jpg" data-mid="120505647" border="0" alt="Exhibition Fluide Realit&#38;auml;ten at Kunstbr&#38;uuml;cke am Wildenbruch. Photo by Nihad Nino Pusija." data-caption="Exhibition Fluide Realitäten at Kunstbrücke am Wildenbruch. Photo by Nihad Nino Pusija." src="https://freight.cargo.site/w/1000/i/6e76ad39524b021534a5ec54eff77bed6108e2fe2f0b0e06285ae0302bfc4dba/IMG_2334.jpg" /&#62;



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	<item>
		<title>WEATHER ENGINES</title>
				
		<link>https://barbaramarcel.com.br/WEATHER-ENGINES</link>

		<pubDate>Mon, 28 Mar 2022 08:24:42 +0000</pubDate>

		<dc:creator>Barbara Marcel</dc:creator>

		<guid isPermaLink="true">https://barbaramarcel.com.br/WEATHER-ENGINES</guid>

		<description>
	WEATHER ENGINES
01.04 — 15.05.2022, at Onassis Stegi, Athens
Curators: Daphne Dragona &#38;amp; Jussi Parikka
Exhibition participants:&#38;nbsp;Kat Austen, Anca Benera &#38;amp; Arnold Estefan, Felipe Castelblanco, Kent Chan, Coti K., Denise Ferreira da Silva &#38;amp; Arjuna Neuman, DESIGN EARTH, Matthias Fritsch, Geocinema, Abelardo Gil-Fournier &#38;amp; Jussi Parikka, Alexandra Daisy Ginsberg, Hypercomf, Lito Kattou, Zisis Kotionis, Manifest Data Lab, Barbara Marcel, Matterlurgy, Petros Moris, Sybille Neumeyer, Afroditi Psarra &#38;amp; Audrey Briot, Susan Schuppli, Rachel Shearer &#38;amp; Cathy Livermore, Stefania Strouza, Superflux, Paky Vlassopoulou, Thomas Wrede



“Weather Engines” explores the poetics, politics, and technologies of the environment from the ground to the sky, and from soil to atmosphere.

The weather is a dynamic system of pressure, temperature and humidity. It manifests through maps, media, and simulations while it touches the skin. Weather is felt unevenly, from extremes to mundane mildness of a breeze. Some are exposed, some are sheltered; weather wears some down, some gain profit.

“Weather Engines” is an art exhibition and a program of talks, performances and workshops taking place at ONASSIS STEGI and the National Observatory of ATHENS (Thissio). It explores weather as a complex system, as observation and control, and as a lived experience. The projects and events refer to natural phenomena and climate change, past and contemporary strategies of engineering the weather, as well as to different sociopolitical atmospheres related to breathing and living. Approaching the models and systems of art as techniques of knowledge, “Weather Engines” addresses the need for climate justice, and for embracing the surrounding more-than-human world(s).

The exhibition is accompanied by the publication “Words of Weather: A glossary” that maps terms for a political ecology of experience.

Link to the exhibition.


&#60;img width="1280" height="1128" width_o="1280" height_o="1128" data-src="https://freight.cargo.site/t/original/i/c874d2bf944e140d90f7fa1f328ac660e95824b84b64bf1b299b33a71c736be8/Weather_Engines-main_page.jpg" data-mid="137778049" border="0" data-scale="45" src="https://freight.cargo.site/w/1000/i/c874d2bf944e140d90f7fa1f328ac660e95824b84b64bf1b299b33a71c736be8/Weather_Engines-main_page.jpg" /&#62;


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