︎
KLIMA BIENNALE WILDERNESS ALLIANCES MOTORES DEL CLIMA THE CHANGE IN PATTERNS A PARÁBOLA DO PROGRESSO AL CONJURO DE ESTE CODIGO WEATHER ENGINES
GOLDEN TONE in WEIMAR and ERFURT
 UMBRALES CRITICAL ZONES FLUIDE REALITÄTEN BIRDS AND BUOYS SÜDSTELLIUM AGROPOETICS FIRE, FAÍSCA, FUNKE DISAPPEARING LEGACIES
CONDOR LETTERS FROM SPIRAL TIME BRAZILIAN WOOD
SURARAS MARLENE VULTURE CINE LIANA HUMO SOBRE HUMEDALES GOLDEN TONE MANIOK REIBE ICH DIR, SCHWESTERCHEN HIGHWAY BR-163 CUIABÁ - SANTARÉM MERCADÃO 2000 FOREST FLAME SELF-PORTRAIT BRAZILWOOD THE OPEN FOREST ARARA TROPIC MATTERS SEEING THE EVER-GARDEN EFFECT DARK HORSE VICTORIA AMAZONICA REPRESENTATIVES BETWEEN THE STREET AND THE HILL, A GARDEN THE JUNGLE IS THE HEAD EDUCATION BY THE STONE THE WEIGHT OF THE MANGROVE URUBÚ HAS DRIED LEGS SWEAT
QUALÉ, MANÉ? THIRD CINEMA SITUATED KNOWLEDGES, GLOBAL ECOLOGIES 12 STEPS AND A HOLE IN THE VALLEY
TERRITORIES OF KNOWLEDGE COMMON IMAGINARIES SINEMA TRANSTOPIA FESTIVAL ¡PROTAGONISTAS! AT HAU SITUATED KNOWLEDGES, GLOBAL ECOLOGIES
SENEGAMBIA BLEIBT UNKNOWN UNIVERSITY THE HAIRY GODDESS MISSTORY MYSTERY-BOUFFE ADAPTATION 230 000 cm UNTITLED (HOMAGE TO PIRANESI) NEUKÖLLN PARADISE
WORLD OF ART: ART AND CLIMATE CHANGE CHILE INTERNATIONAL II DESILHA 3 BLUE CANARY FIRE, FAÍSCA, FUNKE THE ENDOTIC READER N.1 THE GARDENER, THE RUBBER TAPPER AND THE HERBALIST THE EVER-GARDEN EFFECT: PUBLICATION 230 000 cm HUMAITÁ
CINEBH CINEMATECA BRASILEIRA COMMON IMAGINARIES TO SLIP, TO SLIDE, TO GLITCH SINEMA TRANSTOPIA PODCAST CELESTE LATEX - ICI BERLIN DESILHA 2021 BÄRENZWINGER - TAZ BÄRENZWINGER - ARTIST TALK WITH PAZ GUEVARA SÜDSTELLIUM - TAZ ZKM - TERRESTRIAL UNIVERSITY BERLINISCHE GALERIE BERLIN ART LINK SEVEN CROSSROADS AGROPOETICS AT SAVVY CONTEMPORARY
BARBARA MARCEL
COMMON IMAGINARIES

4th Research Seminar on Art and City_DESILHA 2024, Graduate Program in Visual Arts at the School of Fine Arts of the Federal University of Rio de Janeiro. Proposal: Livia Flores, André Leal, Barbara Marcel and Raquel Versieux. Organization and production: Livia Flores, André Leal, Barbara Marcel and Giovanni Festa.


The International Colloquium Common Imaginaries calls for research for which the idea of cinema is productive as a mode of operation that reaches out to the collective, enabling the establishment of common imaginaries. Shifting the interest from reception to production, we consider that film can agglomerate interactions that already exist in the territory, emerging as a visibility supplement for social and artistic processes interested in collaboration. Approaching so-called community-based artistic practices, the screen becomes a porous interface, incorporating what is not immediately visible into the filmic texture. Between montage and mise-en-scène, the territory, location and set exchange positions, constituting a situated experience in which differences can take place.

Documentation of the colloquium. Documentation of the colloquium. Documentation of the colloquium. Documentation of the colloquium. Poster of Barbara Marcel's experimental documentary / video installation MARLENE, exhibited during the colloquium. Frame of Barbara Marcel's experimental documentary / video installation MARLENE, exhibited during the colloquium.

This colloquium brings together researchers in art, philosophy, literature and cinema from Brazil, Argentina, Chile, Colombia and Italy, with a focus on Latin American experiences. Held in person at the Centro de Cultura da Justiça Federal on May 21 and 28 and at the Cinemateca do Museu de Arte Moderna from May 22 to 24, both in the city of Rio de Janeiro, the program includes an exhibition of films related to the research presented. Proposed by artists and researchers from the research group Atotality, Common Imaginaries is organized by the Postgraduate Program in Visual Arts of the School of Fine Arts of the Federal University of Rio de Janeiro and is funded by Capes (Proex and PrInt).




© 2021 Barbara Marcel