︎
KLIMA BIENNALE WILDERNESS ALLIANCES MOTORES DEL CLIMA THE CHANGE IN PATTERNS A PARÁBOLA DO PROGRESSO AL CONJURO DE ESTE CODIGO WEATHER ENGINES
GOLDEN TONE in WEIMAR and ERFURT
 UMBRALES CRITICAL ZONES FLUIDE REALITÄTEN BIRDS AND BUOYS SÜDSTELLIUM AGROPOETICS FIRE, FAÍSCA, FUNKE DISAPPEARING LEGACIES
CONDOR LETTERS FROM SPIRAL TIME BRAZILIAN WOOD
SURARAS MARLENE VULTURE CINE LIANA HUMO SOBRE HUMEDALES GOLDEN TONE MANIOK REIBE ICH DIR, SCHWESTERCHEN HIGHWAY BR-163 CUIABÁ - SANTARÉM MERCADÃO 2000 FOREST FLAME SELF-PORTRAIT BRAZILWOOD THE OPEN FOREST ARARA TROPIC MATTERS SEEING THE EVER-GARDEN EFFECT DARK HORSE VICTORIA AMAZONICA REPRESENTATIVES BETWEEN THE STREET AND THE HILL, A GARDEN THE JUNGLE IS THE HEAD EDUCATION BY THE STONE THE WEIGHT OF THE MANGROVE URUBÚ HAS DRIED LEGS SWEAT
QUALÉ, MANÉ? THIRD CINEMA SITUATED KNOWLEDGES, GLOBAL ECOLOGIES 12 STEPS AND A HOLE IN THE VALLEY
TERRITORIES OF KNOWLEDGE COMMON IMAGINARIES SINEMA TRANSTOPIA FESTIVAL ¡PROTAGONISTAS! AT HAU SITUATED KNOWLEDGES, GLOBAL ECOLOGIES
SENEGAMBIA BLEIBT UNKNOWN UNIVERSITY THE HAIRY GODDESS MISSTORY MYSTERY-BOUFFE ADAPTATION 230 000 cm UNTITLED (HOMAGE TO PIRANESI) NEUKÖLLN PARADISE
WORLD OF ART: ART AND CLIMATE CHANGE CHILE INTERNATIONAL II DESILHA 3 BLUE CANARY FIRE, FAÍSCA, FUNKE THE ENDOTIC READER N.1 THE GARDENER, THE RUBBER TAPPER AND THE HERBALIST THE EVER-GARDEN EFFECT: PUBLICATION 230 000 cm HUMAITÁ
CINEBH CINEMATECA BRASILEIRA COMMON IMAGINARIES TO SLIP, TO SLIDE, TO GLITCH SINEMA TRANSTOPIA PODCAST CELESTE LATEX - ICI BERLIN DESILHA 2021 BÄRENZWINGER - TAZ BÄRENZWINGER - ARTIST TALK WITH PAZ GUEVARA SÜDSTELLIUM - TAZ ZKM - TERRESTRIAL UNIVERSITY BERLINISCHE GALERIE BERLIN ART LINK SEVEN CROSSROADS AGROPOETICS AT SAVVY CONTEMPORARY
BARBARA MARCEL
CONDOR

Work in progress, Chile. Video-installation.

The work will consist of a video-installation filmed in November 2021 between the Chilean cities of Santiago and Talagante, taking as a starting point the inter-species relationship between humans and birds, their identifications and de-identifications, to observe old and new projections of freedom. From the heated political debates of the Chilean spring of 2021, Marcel establishes a connection between the old astronomical observatory of Santiago, situated in the Cerro Calán and built during the Cold War, and the machinic military control of space, through the production of drone images that simulate and incorporate one of the oldest perspectives of domination of territories: the bird's-eye view.


Work in progress, Video installation. Still. © Barbara Marcel Work in progress, Video installation. Still. © Barbara Marcel



© 2021 Barbara Marcel